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Covering the Angus Young, George Harrison, and Mick Taylor vibes, this 1964 Gibson SG still has the original PAFs in it.All of Shanks guitars are strung with Ernie Ball Slinkys (.010 –.046) and most of them are tuned down a half-step.Letting the guitarists rack up the travel bills, bassist Hugh Mc Donald travels lean and light by only touring with a handful of basses, no amps, and a few stompboxes.Here is the Fender Jaco Pastorius Fretless Jazz Bass that he uses on “Something to Believe In” off of After reading a review on a Moollon J Classic bass that claimed they were the closest thing to Fender making a 5-string Jazz Bass in 1963, Hugh got his hands on a pair of 5-strings and he’s been digging ’em ever since.

Phil X tours with a trifecta of rocking heads starting with his signature Friedman 100-watt, single-channel head that is loosely based on the Brown Eye but allows Phil to cut the gain.A few years ago Framus approached Phil X about co-designing a signature guitar and this was one of the first production models for the XG.He claims that they basically built his dream guitar by making a larger, thicker SG-style body, paired it with a ’59 neck profile, and added a single Arcane PX-90 that was voiced with Phil’s help and input.This is an extra-special Fender Custom Shop Strat from 1996 because it was built by John Suhr—now the head honcho at Suhr Guitars—and one of the company’s first forays into relic’ing.Another cool thing about this Strat is that it features handwound pickups that Suhr originally built and designed for Jeff Beck.

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